Over the last few months I have been hearing a buzz about a new technique in polymer clay cane-making.
As Naama Zamir (founder of the Israeli Polymer Clay Guild) described it in the title of one of her blog entries, this technique is “A Breakthrough” for polymer clay cane-makers; in fact it is such a revolutionary technique that already it is gaining almost legendary status – up there on a level with “The Skinner Blend”.
I first noticed some references to a new ‘backgroundless’ technique in the Spring of 2010, and was intrigued by how excited the authors were to discover it. Trying to track down the source of this brilliant method (and to find out what it actually was), I attempted to trace it back through various cryptic and secretive references that I encountered in the blogs and websites, but kept coming to a dead end.
However, by Summer 2010 the trickle of references had become a steady stream, and I was finally tipped off by Penny Vingoe’s “Clayaround” newsletter, which pointed to this blog: http://naamazamir.blogspot.com/2009/05/breakthrough.html. At last! I could tell I was getting closer to the original source! It appeared that Edith Fischer-Katz (“Zoota” on the etsy site) was the inventor/developer of the backgroundless technique.
I contacted her today to ask if (a) she really was the original inventor, and (b) if she would be happy to participate in an email ‘interview’ to be published on the BPCG website, and she replied “yes” on both counts. So as soon as the email interview has been conducted, it will be shared with BPCG members on their website. I am really looking forward to it.
“But wait – what the heck is this fantastic new technique?” I hear you ask. Well, until now the usual way of reducing a non-round (e.g. flower) cane has been sort of grab both ends of the cane and just pull (which does result in very nice beads, but they are often inconsistent sizes, as the cane can become rather lumpy and often gets very thin in the middle and remains very thick at the ends). Even with very experienced cane-makers, the ends of the cane are often squished out of recognition, and need to be consigned to the growing pile of scrap clay (as shown in the photo below):